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Your fundraising strategy is your plan for raising your film budget. In addition to grants and broadcast license agreements, you might include private donations, in-kind support, crowdsourcing, producer investments, and fundraisers. A fundraising strategy should clearly distinguish between funds you have applied for and funds you have already secured. We can only consider proposals written in English, accompanied by a budget translated into USD, and visual material in English or with English subtitles.

If I am applying for development funds, can my submitted budget cover the development portion of the project only? A budget covering the costs of the entire project from development through distribution is required for every funding category.

This is a one- to two-page comprehensive line-item budget in U. If you have never made a budget and need a sample, you may access an example here. This template is only a general sample and should be tailored to your project. You may also use your own budget format as long as it provides the costs of the entire project. I am already in production but do not have a minute sample.

Am I still eligible for funding? You may apply for funding in the development category or choose to wait to apply until you have the necessary material. Production or post-production proposals with very short reels or with only trailers, teasers, or brief selects are simply not competitive against the longer rough cuts being submitted and will be bumped down to the development category. I am a first-time director. If this is a directorial debut, you may submit a film you have shot or edited instead, or you may choose not to submit a previous work.

A previous work from a different member of the team e. Development applicants are encouraged but not required to include a visual sample of up to 15 minutes in length. These visual materials can include scene selects, teasers, or other edited footage.

Production and post-production applications require a sample that demonstrates characters, story arc or structure, and visual treatment. A minimum of 10 minutes of edited footage is required for production applications and 20 minutes of edited footage for post-production applications. Sundance Institute guarantees watching up to 30 minutes of visual material provided.

Completed previous work may be any length from short to feature. It may be in any genre. If you have multiple previous works or several co-directors, please select one previous work which best reflects the vision for your new documentary. Reviewers will not review more than one previous work sample. Other than the work-in-progress sample and the completed prior work sample, are there any other video clips or samples I need to provide?

We only accept samples via online streaming links. You must provide an online streaming link and password, if applicable, to your current rough cut or sample and to your completed previous work. We recommend using Vimeo or YouTube for this service. Your film should be available for at least six months after you submit your application.

Please do not update or change your uploaded file or its password once you submit your application. When you apply for a grant through our website, provide your link and password. Please double-check that you have entered the password correctly remembering that passwords are case sensitive. If we do not have the correct password, we will not be able to evaluate your project.

Include the link and password in your written proposal as well. We do not accept WeTransfer, Dropbox, Google Drive, or other such file transfer services for the visual material delivery. All samples must be submitted as a link via a streaming platform such as Vimeo or Youtube. No DVDs will be accepted. If you live in a country with significant impediments to internet access, you may email dfp sundance.

Proposals go through a multistage review, with selected submissions sent for Sundance Institute Documentary Fund Committee consideration. The committee then meets to make recommendations regarding which projects are funded. Proposals to the Sundance Institute Documentary Fund are evaluated on several criteria, including artful film language, engaging storytelling, originality, feasibility, contemporary cultural relevance, and potential to reach and connect with its intended audience.

The Documentary Fund prioritizes funding films from early career and emerging artists. The Sundance Institute Documentary Fund Committee is a combination of issue-area experts and professional film artists and curators. The review process is highly competitive. We review approximately 2, proposals each year and fund 30—40 films.

After you press submit on the online application, a confirmation page will appear. You should also receive a confirmation email once your application is submitted. If you have not received an email, please double-check your spam filter.

Award decisions typically take three to five months, occasionally sooner. Please do not contact us to inquire about your status, as we cannot provide status updates. You will be notified directly by email once a decision has been made. We periodically announce new grantees throughout the year, and those press releases are not notifications.

Unfortunately, we have a very limited staff and are unable to provide feedback to all applicants. However, projects that make it to our final stage of review are eligible to receive feedback. However, you may only re-apply when your project has advanced in storytelling vision and intent.

Filmmakers are strongly discouraged from submitting nearly identical proposals or visual samples twice. If my proposal is declined, what are the chances my project will be accepted if I reapply? We do not encourage the resubmission of projects that have previously been declined, as they are unlikely to be successful, unless they have significantly advanced the visual sample, story, and structure, as well as elevated and refined the artistry and thematic depth of the approach.

Should you choose to re-apply, please apply online with a brand-new application. Your new submission should address significant development of the project since last applying, corresponding with a later stage of production. You must submit new video links accompanying your proposal. Yes, you are allowed to submit more than one proposal in the same round as long as they are for separate projects.

If I received development funding from Sundance Institute, can I apply for production or post-production funds? Projects that have previously received a grant through the Documentary Fund are not eligible to apply for additional funding through this open call. You may send any significant updates to dfp sundance. If I receive a grant or award from another source, am I still eligible to apply for Sundance Institute funding?

Grantees are encouraged to submit their completed work for Festival consideration directly to the program staff of the Sundance Film Festival, which selects films independently. Similarly, projects not selected for support by the Sundance Institute Documentary Fund remain eligible to apply for the Sundance Film Festival directly.

Sundance Institute Documentary Fund awards are grants to the artist and do not encumber broadcast, theatrical, or DVD distribution rights in your project. Grants are considered partial support, and projects generally must seek other funding as well as license and distribution agreements in order to realize their budget.

Grants are not recoupable, and none of your exploitable rights are encumbered. To distribute funds, we require director and producer agreements as well as a clear chain of title to be in place. Our contract requests are verbal and logo acknowledgment in the end credits of the film and on your promotional materials, and a high resolution digital copy of the film. We also require narrative, financial, and distribution reports—and social impact reports, if applicable.

We may request your active participation in the Sundance Institute creative community through invitation-only activities to support you and your film, as well as to support other filmmakers and the independent film field globally. May I ask you to review an element of my proposal before I apply e.

Unfortunately, we are unable to respond to inquiries about our application process via a call. If you have read the entire FAQ and you still have specific questions, please email dfp sundance. Please understand that we cannot provide status updates. If we need additional information, we will contact you. Download and Install HandBrake here , and learn how to use Handbrake here. Check out this link. The Documentary Fund is not currently accepting applications. For United States productions, the DFP prioritizes films led by artists from historically underrepresented communities.

Projects that focus on historically underrepresented communities must have a key creative from the community or with deep ties to the community in a power-holding position represented on the team. Indigenous artists globally and artists from the above regions who are living in the diaspora are also prioritized.

Contact DFP staff for more information. Fiction films, short films please see our Documentary Short Film Fund call for information on grants for shorts , series, NGO films, advocacy films, educational films, or branded content.

We also tend not to fund purely historical or biographical films unless they show clear contemporary relevance or innovation in form. Applicants are required to fill out an online application. Please consult our proposal checklist for required questions. Applicants will also be required to upload a line-item budget that covers the entire project from development to finish.

View a sample budget: PDF or Excel. Source: Robert Bahar. Proposals to the Sundance Institute Documentary Fund are evaluated on several criteria, including artful film language, engaging storytelling, originality, feasibility, contemporary cultural relevance, journalistic rigor where applicable , and potential to reach and connect with its intended audience. The Sundance Documentary Film Program is committed to providing assistance to artists who require support with the application process.

Any director or key creative individual on a project who self-identifies as deaf, hard of hearing, having a disability, or living with a mental illness may request assistance at any stage of the application process. Available support includes a limited amount of funding for the artist to hire an ASL interpreter, transcriber i. CART or similar real-time captioning , or text or copy editor to assist in the preparation and gathering of materials required for a grant application.

This is not meant to be used to hire a professional grant writer but rather to support an artist with a disability to submit their own grant application. To request assistance and for additional information please email dfp sundance. The proposal should clearly articulate a potential direction for the project and ask questions that would indicate a layered and nuanced approach.

Mood reels, stills, or some visual references for or depiction of the project in development are recommended. Prior work samples are strongly recommended for development applications. Production grants provide funds to projects that are able to deliver to us at least 10 minutes of edited material.

At least 20 minutes are required for post-production grants. The reel should convey the narrative and aesthetic approach for the final film. The Sundance Institute Kendeda Fund partnership offers granting and impact convenings aimed to change the way independent artists, influencers and the general public think about urgent contemporary issues.

Grants aim to support new work on the subjects of gun violence prevention and the environment. True sustainability links social and ecological challenges. It also supports storytelling and storytellers that are exploring new ways to understand human relationship with the environment, specifically how communities are shifting energy systems, economies, livelihoods, and lifestyles to survive and thrive in balance with nature.

The program invests in storytelling that moves beyond tragedy reporting and other traditional frames to focus instead on points of agreement, creative solutions, and models of progress. It also supports emerging leaders and new voices working at the intersection of gun violence prevention, criminal justice reform, racial equity, and poverty.

The Kendeda Fund Sundance Institute fund provides non-recoupable grants to documentary, narrative, or emerging media projects exploring gun violence prevention and the environment. The fund also supports thoughtful impact campaigns to help these projects shape the public discourse on these themes. These awards aim to provide seed funding for projects in early development. We are excited to support projects that have sparked the curiosity of the filmmaker because of the incredible potential the story holds for a powerful character driven documentary that takes us into a world we may not be familiar with.

To learn more about The Kendeda Fund, click here. Newtown Director: Kim A. Us Kids Director: Kim A. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh. Lorem Ipsum. Documentary Film. Read More. How to Apply. Special Opportunity Funds. Alumni Support. Learn More. Sundance Collective. Women at Sundance.

Creative Partnerships. Advice for Filmmakers. Support for the Documentary Film Program. Join Donor Community. See All. Donate copy lorem ipsum dolor sit amet. Please ensure Javascript is enabled for purposes of website accessibility. Art of Editing Fellowship. Find out more about the Art of Editing fellows here Size: 4 fellows Eligibility Experienced assistant editors or editors with co-editor experience seeking to transition to lead editor of independent nonfiction features or series. Editors who demonstrate a commitment to learning and mentorship, seeking opportunities for creative development.

Editors from historically underrepresented communities will be prioritized. Dates: September June Cost: There is no application fee or associated costs with participation. Art of Nonfiction Fellowship. Documentary Edit and Story Lab. Documentary Creative Producing Lab and Fellowship. The application will open November Dates Lab: July 26—39, Summit: July August 1, Number of Fellows: 5 Location TBD Eligibility Candidates are required to have produced or co-produced at least one documentary short experience as an executive producer does not qualify.

Candidates must be lead producer on the project they are applying with. Candidates may not be the director of the submitted project. Candidates must be in production or post-production on project. Candidates must live in the United States, though the project may be filmed internationally. Candidates must be available for the entirety of the Lab and Summit dates above.

Costs There is no cost to participate in this Lab. Deliverables Fellows are required to acknowledge Sundance Institute and the Creative Producing Initiative support partners, to provide reporting at the close of the fellowship year, and to participate in possible blogs, interviews, and panels. Sundance Institute Documentary Short Fund. Sundance Institute Kendeda Fund. Learn more about The Kendeda Fund.

Please email dfp sundance. Schedule Grant-making decisions happen 2 times per year usually late spring and fall in conversation with The Kendeda Fund staff. Documentary Film Producers Track. The application for the Documentary Producers Track is now closed. Apply Here. Candidates should not be the director of their submitted project.

Candidates must have a director attached to the submitted project. Note: Nonfiction series projects are considered through the Episodic Lab. Candidates must be in active production or post-production on the submitted project. Candidates must live in the United States, though the project may be filmed outside of the country.

Candidates must be able to attend all fellowship events, as listed above Costs The Sundance Institute will provide round-trip economy travel, ground transfer in Utah, and lodging for the selected fellows for the specific dates of attendance. So we think the exponential growth curve of these technologies is absolutely going to continue apace, but who wouldn't have wanted to get in before the market started, to appreciate and price in that impact of virtualization, that permanent change.

So for megatrend investors, the question becomes, what are the next set of exponential growth opportunities in front of us, born of this next set of permanent changes? Copy: How are robots impacting human labor? Data from the last year suggests a recent uptake of automation. In , robot sales had their strongest year ever and interestingly enough, the auto industry was historically the largest consumer of robots.

Now non-automotive manufacturers represent the majority of sales. That really shows the proliferation of automation across a wide swath of industries. Copy: What technologies can the transport industry use to mitigate supply chain disruptions? Autonomous vehicle technologies can help alleviate these challenges in the trucking industry through lower trucking costs and reduced capacity constraints.

That can be powerful. Electrifying surface transport will be a game changer as well. Capital at Risk. I think you are now, perhaps, the record holder of famous podcast appearances to talk about megatrends, and great to hear you've brought a colleague of yours along as well. I actually wasn't sure what the count was going into this, but it's a big deal for you to share that with me and our listeners at the same time.

And it's a pleasure to be here with Tanya for this session. These are technological breakthrough, demographics and social change, rapid urbanization, climate change, and emerging global wealth. And last time, we talked about these topics on The Bid, it was June of I suppose you could say, maybe there still is, less so, but we were starting to re-emerge in terms of economic activity.

And, so give us an overview of how have things changed in the megatrends landscape since we last spoke. And I would argue that, actually, the changes we've seen are permanent, fundamentally permanent. And one thing we know for certainty, as investors, in the megatrend space is that permanent changes tend to create exponential opportunities.

Now, recent transformational events, the emergence from COVID's peak, conflict in Eastern Europe, disrupted supply chains are really the drivers of that next set of opportunities. And specifically, we would identify these across industry, health care, and consumption. So much like the trajectory of virtualization and its related technologies, the associated themes are going to enjoy years, if not decades, of outsized growth.

We actually think the moment is right now to embrace some of these forward-looking investment themes before the market really recognizes their full potential. There are numerous examples of how the climate change megatrend manifests itself.

Or there's numerous examples of how technological breakthrough manifests itself. So as you think about what changed through COVID, how the world is changing coming out of COVID, are there specific areas within these megatrends that are more important as we move forward? So first, just as the leap to lockdowns really drove virtualisation technologies, the leap back is going to drive physical technologies.

Global inflation and supply chain disruption are making industrial investments in areas like automation and infrastructure, in the future of transportation, immediately critical. Second, we think the future of health care has been transformed by what happened during the pandemic. So the lessons learned during the pandemic in that investment of mRNA technology is going to pay dividends, as we'll accelerate approval processes in areas like precision medicine that we see paying off in the fight against cancer and neurological disorders.

The third area is that millennials and developing market consumers are emerging from lockdowns as the major spenders driving the global economy. Their ascendance means that their own unique preferences for decentralized digital ecosystems and greener goods is really going to transform commerce as we know it. You have the five big megatrends which we talked about at the beginning of the podcast.

How did these three themes fit into those five megatrends? So when we think about industrial technologies and infrastructure, that relates to our urbanization megatrend. When we talk about robotics, that relates to technological breakthroughs. And we talk about supply chain disruption, that relates to emerging global wealth. So what's really important to keep in mind about the megatrends is there are five superhighways to the future but actually investors are lucky enough to be able to ride in all five lanes at once through some of what we're talking about today.

I love that, the five superhighways to the future. And so Tanya, maybe I can bring you into the conversation here. It feels like a running joke these days that if you're late to something or something is late in arriving to you is you just blame it on supply chain issues. So talk us a little bit about how this is impacting industries, these supply chain and inflation topics.

We're going to fix that. So I have this image of robots in factories assembling cars. And I think this is kind of where you're going when we talk about the automation process helping perhaps kind of reduce some of these bottlenecks. But the reality is of automating production processes is just kind of a key part of how businesses are transforming themselves. But what does it mean for the human employee like us?

I think robotics have been driving change for some time now. And it almost feels prime time for their role in helping transform production processes and logistics operations. This is not new. Automation from areas such as production to packaging can meaningfully help address supply chain disruption and inflation. The application of robotics to today's challenges go far beyond just production. The acceleration of e-commerce has pinched supply chains.

I know we've all experienced that delayed shipment just like Jeff mentioned about the late birthday gift. We really see robotics as driving logistics innovation in the coming years. Strained warehouse operations because of increasing consumer demand is really going to necessitate the use of robotics going forward.

And all of these innovations to your point, Oscar, enable the employee. Driving efficiencies not just for firms and producers but employees as well by working side by side with them and empowering them to focus on higher value tasks. These innovations not only help industries move forward but provide for a new wave of opportunity for employees as well.

Do you think companies are doing enough or striking the right balance between bringing technology into their processes and doing that for the benefit of their business and at the same time upskilling their human employees? Companies are really trying to address this challenge and they've been pushed to do so more urgently with the current market environment. This is the next generation of industry. And what a time for this to all be playing out. This makes the upfront investment in automation far more attractive today.

Evolution in this space will invariably push companies to invest in upskilling which could have a real meaningful impact on labor productivity. Because everything you're talking about with respect to the production process becoming more automated, the use of robotics. But on the other hand, I think when we look at infrastructure and transport systems sometimes these things are a little bit out of date, right? And they're not keeping up with some of the very futuristic type production processes that you're talking about.

In a previous life I covered private infrastructure investing so I'm particularly passionate about this topic. I really do find infrastructure to be quite sexy. Underinvestment in infrastructure has added to the fragility of global supply chains and we are starting to see the cracks emerge as the economy restarts. US ports had a record year in This is exactly why upgrading infrastructure is critical. But now, we're seeing the dire need for this investment.

Bridging the need for greater automation and infrastructure together, we see spaces like industrial machinery, commodity chemicals, building products, specialized REITs, as key areas of spending. These are the types of industries that will play a significant role in revitalizing our nation's infrastructure. And lastly, since we're talking about transforming our transportation systems, I'd be remiss if I didn't mention the role that autonomous vehicle technologies will play in the future.

Electrifying surface transport will be a game changer as well and a key beneficiary of federal spending as Infrastructure, Investment, and Jobs Act funds nationwide expansion of charging stations. And when I hear, Jeff, you and Tanya talk about some of these transformations that are going on in the economy, they're not immediate.

They're not tomorrow. But they are occurring. And I guess that's the point of the megatrends is to try and identify these companies that are going to help with that transformation. Jeff, let me come back to you. Let's talk about demand. The pandemic has obviously impacted economic activity and put many people in difficult situations.

And traditionally the population cohort between the ages of 35 and 55 are those in their peak spending years. I think that's where the millennial generation is now starting to enter, right? The oldest millennials are starting to get into that age range. So what should we expect from them as a consumer cohort? Aren't they kind of dealing with high college debt levels? Should we expect a lot from them? JEFF SPIEGEL: So speaking as one of the oldest millennials, I will say you're jumping a little bit ahead to the other three themes that we talk about in this paper we just released really about the power of the new consumer as I had mentioned earlier.

But I think it's OK to give you a sneak preview of that now assuming you'll commit to inviting us back for a deeper dive on the subject? All right, so the bottom line is while lockdown slowed economic activity, they couldn't actually derail major demographic trends, right? That's, again, part of the power of megatrend investing.

Structural long-term changes that really are going to play out pretty much no matter what happens around us. Aging is certainly one of those phenomenons. And so amid the pandemic, millions of US millennials entered their peak spending years, right? That age 35 to 55 that you were just referring to. And actually what we've seen is enhanced spending from this group. Sort of pent up savings that happened during the lockdown are enabling them to really express what we're sort of thinking of as the power of the purse in driving what the future of consumption is going to look like.

But I should also mention there's another group that's really transforming consumption at the same time, and that's emerging market consumers. Some overlap there. So when you put these together as a result of the two trends combined, right, millennials and EM consumers, they are now and will be for several decades to come the truly essential drivers of the global economy.

And consequently their unique needs and preferences, and let's be specific. I'm thinking of the early adoption of decentralized finance, the prioritization of sustainable products, all of this is set to surge as a result of their consumption power. So yes, we do think the entry into peak spending years holds true and even more so is going to be transformative as these consumers start voting with their wallets and really deciding how and what is marketed and sold.

We're talking about healthcare, robotics, and infrastructure. What would you say to an investor who's thinking about investing in these in terms of when is the right time and how patient should they be?

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